Write on one (1) of the subjoined topics:
Based on the texts by Kafka and Eliot, (congeniality on one or the other or twain), debate how the writers appear nice of new-fashioned amelioration, as they describe new-fashioned man as a self-conscious personage who fears an quick mislaying of agility and sameness, as courteous as the ability to complete genuineness and enjoyment, subdue by the dehumanizing forces of industrialization and capitalism in post-WWI Europe.
Read the Dada Manifesto and the google artwork by Marcel Duchamp, René Magritte, Salvador Dalí, Francis Picabia, and Giorgio de Chirico, floating other Dada and surrealist artists. Explain how Dada and surrealism advert the feelings of a amelioration past mad following the devastation of WWI. If the ages of expertness and conclude and toil led to the mayhem and affliction of that war, these artists asked, why should anyone possess belief in logic, conclude, or the fairness of art when history appears so peremptory, ravage, and creaky? Notice how these artists elect to test the cosmos-people of dreams and the unaware than the demeanor cosmos-people of external, settled history.
Your rejoinder should be at smallest 750 suffrage in length
Use MLA format for any quotations or citations that you use to help your answer